Ā Ā Ā Ā Ā Lorna turned from the sink to look at Herb, and even in the rude light of the circular fluorescent fixture Herb could see that her elusive loveliness had returned. For some time fear and fretfulness had poisoned Lornaās system like allergens, had made the skin under her eyes puff and redden, had made her forehead break out, had made her cheeks pale and her jaw slack. Now, instantly, she seemed cleansed, cured. She had been revivified by what I think Iāll call Godās Own Wonder-Working Tonic, an invigorating compound of three potent ingredients: work to be done (keeps the eyes bright and focused on the future), self-respect (keeps the head up, also the corners of the mouth, and makes the past, on the whole, a pleasant place to visit), and lust (keeps important bodily fluids flowing and makes the present thrilling).
Ā Ā Ā Ā Ā āHerb,ā she said. āI want to show you something.ā Her heart was racing. She dried her hands on her apron. She could feel them tremble. She took the flour canister from the shelf. She hesitated for the briefest of moments; then she pulled the lid off and turned the flour out on the counter.
Ā Ā Ā Ā Ā āLorna?ā said Herb.
Ā Ā Ā Ā Ā Lorna poked her fingers into the flour and pulled out what she wanted at once, her only souvenir of her coarse-goods work, one of the animated ones, one that she had modified to please herself. She wiped the case on her apron. Then she turned and held it out toward Herb in her trembling hands.
Ā Ā Ā Ā Ā Herbās jaw fell. He brought his hand to his mouth. āOh,ā he said. āIs that ā ? How did you ā ? So you know. I ā ā
Ā Ā Ā Ā Ā Lorna pressed the stem, and the lid popped open. There was one of the little couples, but this pair had been carved with special care. They resembled, quite clearly, Herb and Lorna, and the arena for their enthusiastic performance was not a rumpled bed but a rowboat.
Ā Ā Ā Ā Ā āWhy, thatās ā ā
Ā Ā Ā Ā Ā āItās us,ā said Lorna. āI made it.ā
Ā Ā Ā Ā Ā āYou? I. I made it.ā
Ā Ā Ā Ā Ā āWhat?ā
Ā Ā Ā Ā Ā āI made it. Isnāt that what you meant? That you knew? You found out?ā
Ā Ā Ā Ā Ā āHerb, I made this. I carved the little rowboat. I carved these figures. I had to fit the little sections of their bodies onto fine wires and rods that fit onto ā ā
Ā Ā Ā Ā Ā ā ā wires that run onto pulleys, rods that run to shafts that are turned by the gears in the bottom of the case.ā
Ā Ā Ā Ā Ā āThat make the man and woman perform ā ā
Ā Ā Ā Ā Ā āThe way I designed them.ā
Ā Ā Ā Ā Ā āIt canāt be.ā
Ā Ā Ā Ā Ā āWait here.ā Herb dashed down the stairs to the cellar, and, in a moment, dashed back up them, carrying the green metal box marked with a skull and crossbones. He set it on the kitchen table, opened it, lifted the tray from it, and pulled out a stack of papers. āLook,ā he said. āLook here. These are my designs. All of them.ā He was beaming. He spread the drawings out on the table and stood back with his arms crossed over his chest, proud, exhilarated.
Ā Ā Ā Ā Ā āHerb ā ā
Ā Ā Ā Ā Ā āLorna ā ā
Ā Ā Ā Ā Ā āAll these years?ā she asked.
Ā Ā Ā Ā Ā āI guess so,ā he said.
Ā Ā Ā Ā Ā āOh, Herb,ā she said, āignite me please, right this minute.ā
[to be continued on Friday, November 18, 2022]
In Topical Guide 385, Mark Dorset considers Art and Craft and Real LifeĀ from this episode.
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