Moving
The Dorset ménage is in the process of moving. We’ve only begun, and it is going to be a long process, since we are proceeding slowly and carefully. Some part of the process will occupy some part of every day from early May through the end of June.
During that time, I may have to skip some Topical Guide entries.
J. M. W. Turner’s “Harbor of Dieppe: Changement de Domicile” (detail)
From the Frick Collection:
Turner visited the French fishing port of Dieppe, in Normandy, twice before painting this canvas in his London studio. The work draws from sketches made on site, as well as from memory and imagination. In this romantic view, signs of modernization, such as the steamboats then in use, are excluded. Turner focuses on the vibrant energy of the town filled with glowing sunlight and hundreds of figures engaged in lively activities. The French subtitle Turner assigned the painting—“Changement de Domicile” (change of home address) — may refer to the couple at right, who appear to be loading or unloading objects from boats. Turner elevates his genre scene through the monumental scale of the canvas and the compositional format borrowed from the grand seaports of Claude Lorrain. Here, as in Claude’s paintings, a central core of sun reflected on water draws the eye back in space, while two arms of the city, with its buildings and boats, reach around it. Journalists of the time criticized Turner’s golden tones, considering them more appropriate to a southern climate.
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