In the days when our father, the painter Andrew Glynn, was most productive and most widely known, many people who ought to have known better took as an axiom the notion that paintings of the kind that he made, abstractions, did not mean anything, need not mean anything, and should not mean anything.
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Babbington Review 20
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In the days when our father, the painter Andrew Glynn, was most productive and most widely known, many people who ought to have known better took as an axiom the notion that paintings of the kind that he made, abstractions, did not mean anything, need not mean anything, and should not mean anything.