Art and Artifice
Artificial versus Natural
Garden versus Wilderness
Leaving Small’s Hotel, Chapter 44:
“Isn’t this a perfect spot?” asked Mrs. Kilmer. “I mean, just look at it! It’s got everything — that nice stump, the fallen log for sitting on, the wildflowers, this cute little mound — ”
“Yeah, I know,” I said.
“It’s a little piece of paradise right in our own back yard!” she declared. “Well, your back yard, Ella.” […]
“There’s something artificial about it,” I suggested. “Look around you. The gentle contour of this little hillock that we’ve settled ourselves on, the angle of that fallen log, that cluster of wildflowers over there, the proportions of that stump. The hand of nature is not as sure as this, not this steady.”
Andrew Marvell, “The Mower Against Gardens”:
Luxurious man, to bring his vice in use,
Did after him the world seduce,
And from the fields the flowers and plants allure,
Where nature was most plain and pure.
He first enclosed within the gardens square
A dead and standing pool of air,
And a more luscious earth for them did knead,
Which stupified them while it fed.
The pink grew then as double as his mind;
The nutriment did change the kind.
With strange perfumes he did the roses taint,
And flowers themselves were taught to paint.
The tulip, white, did for complexion seek,
And learned to interline its cheek:
Its onion root they then so high did hold,
That one was for a meadow sold.
Another world was searched, through oceans new,
To find the Marvel of Peru.
And yet these rarities might be allowed
To man, that sovereign thing and proud,
Had he not dealt between the bark and tree,
Forbidden mixtures there to see.
No plant now knew the stock from which it came;
He grafts upon the wild the tame:
That th’ uncertain and adulterate fruit
Might put the palate in dispute.
His green seraglio has its eunuchs too,
Lest any tyrant him outdo.
And in the cherry he does nature vex,
To procreate without a sex.
’Tis all enforced, the fountain and the grot,
While the sweet fields do lie forgot:
Where willing nature does to all dispense
A wild and fragrant innocence:
And fauns and fairies do the meadows till,
More by their presence than their skill.
Their statues, polished by some ancient hand,
May to adorn the gardens stand:
But howsoe’er the figures do excel,
The gods themselves with us do dwell.
See also:
Art, Play TG 5; Paint-by-Numbers TG 107, TG 108; Necessity of Transformation in TG 110; Doodling TG 165; Art Materials: Masonite TG 167; Art and Craft and Real Life TG 385; Art: Literature: Responding to: Sharing the Experience TG 367, TG 617; Conceptual TG 482; Commodification of TG 482; The Reciprocal Relationship Between the Artist and the Work TG 742; Painting: Rollers as Tools for TG 817; Subjects: Animals: Clams TG 818; Abstraction TG 824; Realistic versus Abstract TG 852; Painting: From Life versus From Memory TG 852
Subscribe to The Personal History, Adventures, Experiences & Observations of Peter Leroy
Share The Personal History, Adventures, Experiences & Observations of Peter Leroy
Watch Well, What Now? This series of short videos continues The Personal History, Adventures, Experiences & Observations of Peter Leroy in the present.
Have you missed an episode or two or several?
You can begin reading at the beginning or you can catch up by visiting the archive or consulting the index to the Topical Guide. The Substack serialization of Little Follies begins here; Herb ’n’ Lorna begins here; Reservations Recommended begins here; Where Do You Stop? begins here; What a Piece of Work I Am begins here; At Home with the Glynns begins here; Leaving Small’s Hotel begins here.
You can listen to the episodes on the Personal History podcast. Begin at the beginning or scroll through the episodes to find what you’ve missed. The Substack podcast reading of Little Follies begins here; Herb ’n’ Lorna begins here; Reservations Recommended begins here; Where Do You Stop? begins here; What a Piece of Work I Am begins here; At Home with the Glynns begins here; Leaving Small’s Hotel begins here.
You can listen to “My Mother Takes a Tumble” and “Do Clams Bite?” complete and uninterrupted as audiobooks through YouTube.
You can ensure that you never miss a future issue by getting a free subscription. (You can help support the work by choosing a paid subscription instead.)
At Apple Books you can download free eBooks of Little Follies, Herb ’n’ Lorna, Reservations Recommended, Where Do You Stop?, What a Piece of Work I Am, and At Home with the Glynns.
You can buy hardcover and paperback editions of all the books at Lulu.
You’ll find overviews of the entire work in An Introduction to The Personal History, Adventures, Experiences & Observations of Peter Leroy (a pdf document), The Origin Story (here on substack), Between the Lines (a video, here on Substack), and at Encyclopedia.com.